← Back to Cinema Atlas
Discover great cinema and the connections that made it possible.
FRANCE · 1971

Alan Lomax, “Choreometrics and Ethnographic Filmmaking”, Filmmaker’s Newsletter Vol. 4, No. 4, February . (Lomax’s seminal account of the scientific study of dance patterns was brought to my attention by Nick Ray, his friend since the s. We were sitting in Lomax’s apartment, which Nick used to borrow when the owner was away for the weekend. Drawing on the ideas of some of the writers above, I was explaining that I believed that much of the power and poetry of Nick’s films depended on their articulations of space and movement. The same is true of those of Renoir. Lomax’s insights are relevant not only to documentary and ethnographic filmmakers, but to any analysis of how films communicate their meanings and generate their impact).

Jean Renoir
Watch on MUBI → Stream on Criterion → ▶ Trailer

More from Jean Renoir

France · European Art Cinema
John Gibbs, Mise-en-scène: Film Style and Interpretation , London and New York, Wallflower Press
2002 • France
View →
Rémi Fournier Lanzoni, French Cinema: from its Beginnings to the Present , New York & London, Continuum
2002 • France
View →
James Leahy, “All in the Script? So Why Make the Movie?”, Vertigo , Vol.2, No.2
2002 • France
View →