I learned a lot from films like Robert Bresson's Au hasard Balthazar and Jean Renoir's La Règle du jeu, and particularly Rudolf Noelte's Danton's Death. I learned from these films that the camera can just observe, and not follow actors.
I learned a lot from films like Robert Bresson's Au hasard Balthazar and Jean Renoir's La Règle du jeu, and particularly Rudolf Noelte's Danton's Death. I learned from these films that the camera can just observe, and not follow actors.