In my early films, I had a great desire to merge the French New Wave and American films. Among my references, for the rhythm and the style and the energy, I certainly had Robert Bresson and Jean-Luc Godard. With my first two films, there’s a reference to Godard’s Masculin Féminin.
In my early films, I had a great desire to merge the French New Wave and American films. Among my references, for the rhythm and the style and the energy, I certainly had Robert Bresson and Jean-Luc Godard.
— Olivier Assayas · Criterion Collection - 'Anatomy of an Auteur' by Olivier Assayas
In my early films, I had a great desire to merge the French New Wave and American films. Among my references, for the rhythm and the style and the energy, I certainly had Robert Bresson and Jean-Luc Godard. With my first two films, there's a reference to Godard's Masculin Féminin.
— Olivier Assayas · Criterion Collection - 'Anatomy of an Auteur' by Olivier Assayas
In my early films, I had a great desire to merge the French New Wave and American films. With my first two films, there's a reference to Godard's Masculin Féminin.
— Olivier Assayas · Criterion Collection - 'Anatomy of an Auteur' by Olivier Assayas
Films That Influenced Désordre
