Yes, exactly. I’m thinking of Pasolini’s first films, like ‘Accattone’ or ‘Mamma Roma.’ Because for us, when we were making our first films, we didn’t want to go in a very elaborate aesthetic direction. We didn’t want to try to invent new film language. We wanted to tell a story with a very straightforward approach, very direct, very close to the character, to what they’re feeling and living, so we can make the spectator experience the same sensation as the characters. So for that, Pasolini’s ea
The Films That Shaped It