And Haneke’s The White Ribbon is an obvious choice because of the way he’s able to use black and white film to enhance the unsettling horror of the subject matter, where everything feels incredibly precise and controlled, and then the chaos erupts.
The way he's able to use black and white film to enhance the unsettling horror of the subject matter, where everything feels incredibly precise and controlled, and then the chaos erupts.
— Michael Haneke · The Film Stage
He's able to use black and white film to enhance the unsettling horror of the subject matter, where everything feels incredibly precise and controlled, and then the chaos erupts.
— Michael Haneke · The Film Stage
The White Ribbon uses black and white film to enhance the unsettling horror of the subject matter, where everything feels incredibly precise and controlled, and then the chaos erupts.
— Michael Haneke · The Film Stage