His visually fragmented and abstract compositional style mirrors Cubist deconstruction, particularly evident in films like 'Spencer' and 'Jackie' where he breaks narrative and visual linearity.
Jean-Luc Godard FranceHe pioneered cinematic collage and non-linear storytelling that parallels Picasso's simultaneous perspectives, constantly deconstructing film form itself throughout his career.
Sergei Eisenstein Soviet UnionHis montage theory creates visual multiplicity and geometric abstraction reminiscent of Cubism, composing meaning through fragmented, overlapping images rather than linear narrative.