Situationist art

Godard's radical deconstruction of narrative cinema, particularly in films like 'Contempt' and 'Weekend,' employs situationist techniques to critique spectacle, alienation, and the commodification of cinema itself.

Antonioni's films such as 'Red Desert' and 'Blow-Up' explore urban alienation, détournement of everyday spaces, and the critique of modern consumption through formally innovative visual language aligned with situationist concerns.