Sound and audio

His films treat sound as a primary narrative and psychological element, using ambient noise and silence to create unsettling atmospheres that rival visual storytelling.

He employs sound design and natural acoustics as spiritual and philosophical dimensions, where silence and ambient soundscapes become integral to temporal and meditative cinema.

His innovative use of diegetic sound, voice-over narration, and musical accompaniment transforms audio into a lyrical counterpoint that enhances emotional authenticity and character interiority.