Venice

His films like 'Death in Venice' and 'The Innocent' are profoundly rooted in Venetian aesthetics and the city's decadent atmosphere.

His masterpiece 'Don't Look Now' uses Venice as more than a setting, transforming the city itself into a character of mystery and psychological tension.

His films explore alienation and human connection against Venice's isolated canals and architecture, creating a haunting dialogue between people and place.