acrophobia

Masterfully exploited acrophobia through iconic vertigo sequences and psychological tension in films like 'Vertigo' and 'Rear Window'.

Used extreme heights and vertiginous settings for both comedic and unsettling effect, particularly in 'Mon Oncle' and experimental sequences.

Employs vertiginous camera work and disorienting aerial perspectives to induce physical unease and existential dread in his provocative films.