His films like Stalker and Solaris feature decaying spaces and architectural remnants that expose human fragility within vast, indifferent structures.
Michelangelo Antonioni ItalyHis works such as L'Avventura and Red Desert use modern architecture and urban landscapes to visualize emotional alienation and the breakdown of human connection.
Béla Tarr HungaryHis films including Sátántangó and Tűrhető-e még így élni? depict crumbling buildings and industrial wastelands as metaphors for societal collapse and existential despair.