art dealer

His films like 'Poor Things' and 'The Killing of a Sacred Deer' explore the commodification of human bodies and relationships as art objects within power dynamics.

His works obsessively examine the aestheticization of life and relationships, treating cinema itself as an art form that mirrors the art dealer's curation of meaning.

His films deconstruct how violence, spectacle, and human suffering are packaged, consumed, and commodified as art by audiences and institutions.