autobiography and memory

His films like *Mirror* and *Stalker* weave personal memory, autobiography, and philosophical inquiry into dreamlike meditations on time and consciousness.

She directly confronted her own mortality and legacy through deeply autobiographical works like *The Beaches of Agnès*, blending memory, archive, and intimate reflection.

His experimental essays, particularly *Sans Soleil*, construct memory and identity as fragmented, subjective experiences that challenge how we understand autobiography itself.