automobile absurdism

His films like Eraserhead and Inland Empire feature cars and highways as surreal, nightmarish spaces where logic dissolves into absurdist dread.

Weekend deconstructs the automobile as a symbol of capitalist civilization through anarchic road-trip sequences that descend into violent absurdity.

Irréversible and Climax use car crashes and vehicular chaos as metaphors for life's senseless brutality and the absurdity of human existence.