His films obsessively explore the car as a symbol of American identity, desire, and the dark underbelly of car culture, most notably in Mulholland Drive and Wild at Heart.
Jean-Luc Godard FranceHe deconstructed automobile culture and modern consumer society through iconic car-centric narratives like Pierrot le Fou and Weekend, treating the car as both literal and metaphorical subject.
Bong Joon-ho South KoreaHis works repeatedly use cars and driving as microcosms of class struggle and human condition, from Memories of Murder to Okja and Parasite's memorable car sequences.