biblical apocalypse

His films 'Antichrist' and 'Melancholia' explicitly explore apocalyptic themes through psychological and cosmic destruction, blending biblical imagery with existential dread.

His adaptation of 'The Gospel According to St. Matthew' and works like 'Salò' confront biblical and eschatological themes with radical artistic vision and theological questioning.

His surrealist narratives in 'Eraserhead' and 'Inland Empire' evoke apocalyptic atmospheres through fragmented storytelling and imagery that suggests cosmic and spiritual collapse.