body as commodity

His body horror films like 'Videodrome' and 'The Fly' explore the body as a malleable, vulnerable commodity subject to technological and biological transformation.

His provocative works such as 'Irréversible' and 'Love' examine the commodification of bodies through explicit sexuality, violence, and the economics of desire.

Films like 'Trouble Every Day' and 'High Life' interrogate the body as a site of exchange, desire, and survival within systems of power and confinement.