Provocative documentarian merging found footage realism with extreme horror to interrogate civilization's veneer.
Pier Paolo Pasolini ItalyHis film 'Salò, or the 120 Days of Sodom' uses cannibalism and consumption as a metaphor for fascist degradation and the consumption of human dignity.
Rodney Rothman United StatesHis 'The Green Inferno' directly engages with cannibalism as both horror spectacle and commentary on colonialism and indigenous exploitation.