choir

His films frequently feature ensemble casts and explore collective voices, particularly in works like 'Mommy' and 'Heartbeats' where group dynamics and emotional harmony create a choir-like atmosphere.

His theatrical ensemble approach and use of overlapping dialogue creates a polyphonic narrative style where multiple voices compete and blend like voices in a choir.

In films like 'The Killing of a Sacred Deer' and 'Poor Things,' he orchestrates precise, almost musical interactions between characters that function as a unified, haunting ensemble performance.