His masterpiece Metropolis (1927) presents a dystopian megacity as the central character, exploring urban hierarchy and architectural control through visionary set design.
Jacques Tati FrancePlaytime (1967) meticulously constructs and critiques a sterile, modernist Paris through elaborate sets that expose the absurdity of contemporary urban planning and design.
Andrei Tarkovsky Soviet UnionStalker (1979) and The Mirror use urban and industrial landscapes as philosophical spaces where city planning reflects deeper existential and spiritual concerns about human society.