class mobility

His films like 'Kes' and 'I, Daniel Blake' powerfully depict working-class struggle and the systemic barriers preventing upward mobility.

Films like 'Parasite' and 'Snowpiercer' use genre to explore class hierarchies and the impossibility of genuine social ascension.

Works like 'Shoplifters' and 'Broker' examine how poverty traps families across generations while exploring dignity outside capitalist structures.