His films like 'Network' and 'Power' directly expose corporate corruption, institutional malfeasance, and the moral compromises demanded by large organizations.

His socially conscious work consistently examines how corporate and governmental systems fail individuals, particularly in 'I, Daniel Blake' and 'Sorry We Missed You'.

Films like 'The Seventh Continent' and 'Funny Games' critique the dehumanizing effects of capitalist systems and corporate society on individual psychology and morality.