His filmography demonstrates continuous artistic reinvention across genres—from noir to sci-fi to historical epic—each pushing technical and narrative boundaries.

His visual style evolved dramatically from film to film, constantly experimenting with color, cinematography, and narrative structure to express emotional transformation.

He systematically breaks his own artistic rules and reinvents his methodology with each project, from Dogme 95 minimalism to maximalist spectacle, exploring how form itself can evolve.