His films like 'Merry Christmas, Mr. Lawrence' and 'Max Mon Amour' explore death as a ritualistic and transgressive act intertwined with desire and cultural ceremony.
Andrei Tarkovsky Soviet UnionHis meditative, philosophical cinema treats death as a sacred ritual of spiritual transformation, particularly evident in 'Stalker' and 'Mirror'.
Denis Villeneuve FranceHer visceral filmography, especially 'Trouble Every Day' and 'High Life', examines death and bodily rituals with poetic intensity and anthropological depth.