directorial philosophy

His films are profound meditations on existential questions, faith, mortality, and the human condition, treating cinema as a philosophical instrument to explore the deepest aspects of human experience.

He developed a philosophical cinema centered on time, memory, and spiritual transcendence, believing film should operate as a poetic form of thought rather than mere narrative entertainment.

His work systematically deconstructs cinema itself as language and ideology, using formal experimentation and essay-like narratives to challenge viewers' assumptions about film, society, and meaning.