domestic space invasion

His films like *Gone Girl* and *Panic Room* obsessively explore how domestic spaces become battlegrounds of psychological warfare and hidden threats.

His visceral works *Funny Games* and *The Seventh Continent* deliberately violate the sanctity of home as a refuge, making domestic invasion central to his critique of violence.

His films *Hereditary* and *Midsommar* weaponize intimate domestic and community spaces, turning them into inescapable prisons where family bonds enable terror.