Masterfully layered reality and dream logic through double exposures and overlapping narrative frames, questioning the nature of perception itself.
Stan Brakhage United StatesPioneered experimental cinema using multiple printing, scratching, and layering techniques to create hallucinatory visual palimpsests that explore consciousness.
Sergei Eisenstein Soviet UnionDeveloped montage as visual counterpoint, effectively 'double-printing' conflicting images to generate meaning through collision and superposition.