dreams and memory

His films like 'Mirror' and 'Stalker' dissolve the boundaries between memory, dream, and reality through meditative long takes and poetic imagery.

His surrealist narratives in 'Mulholland Drive' and 'Eraserhead' blur dream logic with psychological memory, creating labyrinthine explorations of identity.

Films like 'After Life' and 'Our Little Sister' delicately examine how memory shapes identity and how dreams of the past sustain human connection.