electronic music

His films like 'Enter the Void' and 'Climax' use electronic music and sound design as structural pillars, creating immersive audiovisual experiences where music drives narrative and visual intensity.

His neon-soaked films 'Drive' and 'Only God Forgives' are defined by hypnotic electronic scores that merge with visuals to create a synesthetic aesthetic where music and image are inseparable.

His works like 'Requiem for a Dream' and 'Black Swan' harness electronic and experimental scores to amplify psychological states, using sound design as a tool for exploring consciousness and obsession.