His films like 'Dog Day Afternoon' and 'Serpico' dissect institutional corruption and moral fractures within teams under pressure.
Hirokazu Kore-eda JapanHis works explore fractured family and social units with nuanced character dynamics, as seen in 'Shoplifters' and 'Nobody Knows'.
Yorgos Lanthimos GreeceHis films deliberately destabilize group relationships and social hierarchies, creating profound alienation within teams in works like 'The Killing of a Sacred Deer'.