fruit and vegetable distribution

His neorealist masterpiece 'Bicycle Thieves' centers on a working-class man's desperate search for his stolen bicycle needed to deliver produce, exploring poverty and subsistence through the lens of street vendors and urban survival.

His socially conscious films like 'I, Daniel Blake' and 'Sorry We Missed You' examine the struggles of working-class characters dependent on gig economy and food distribution systems, revealing systemic inequalities.

Her documentary-style narratives in 'Nomadland' and 'The Rider' depict the economic realities of transient workers, including those in agricultural and produce-related labor across America.