fur theft

His absurdist films explore theft and transgression as metaphors for power dynamics and human folly, particularly in 'The Killing of a Sacred Deer' and 'Poor Things.'

His surrealist narratives frequently feature theft and object obsession as catalysts for moral corruption and psychological unraveling, as seen in 'Mulholland Drive' and 'Eraserhead.'

Her films examine desire, possession, and theft as manifestations of hidden violence and class struggle, notably in 'Trouble Every Day' and 'High Life.'