His sprawling, architecturally-focused films like *Sátántangó* use decaying infrastructure and institutional spaces as metaphors for societal collapse and human existence.

His films consistently explore how infrastructure—roads, buildings, and urban development—shapes human relationships and reveals the tensions between modernity and tradition.

He transforms urban infrastructure—neon-lit streets, apartment blocks, and transit spaces—into poetic expressions of isolation, desire, and the rhythms of contemporary life.