knowledge and technology

His films obsessively explore humanity's relationship with technology and knowledge, from artificial intelligence in 2001: A Space Odyssey to surveillance and control in A Clockwork Orange.

His philosophical masterpieces like Stalker and Solaris deeply examine the limits of human knowledge and our desire to transcend technological and existential boundaries.

His recent films Arrival and Blade Runner 2049 profoundly question how knowledge shapes reality and what it means to be human in a world of advanced technology.