lost cinema

His films obsessively examine cinema's power to preserve memory and emotion, particularly in 'Day for Night' which celebrates filmmaking itself as a refuge from loss.

His meditative, time-based cinema explores how film captures fleeting moments and lost worlds, treating cinema as a means to preserve the ephemeral and forgotten.

Her documentary and essayistic work directly interrogates cinema's role in remembering what disappears, most notably in 'The Beaches of Agnès' and her archival explorations.