memory and forgetting

His films like 'Mirror' and 'Stalker' weave personal and collective memory into meditative explorations of time, loss, and the fragility of human recollection.

Films such as 'Memento' and 'Inception' construct narratives around the unreliability of memory and the human struggle to distinguish between remembering and forgetting.

His works like 'After Life' and 'Our Little Sister' tenderly examine how memory shapes identity and how forgetting can both wound and liberate us.