His films blend subjective memory, internal monologue, and poetic fragmentation to explore how individuals construct personal narratives from fleeting moments and sensory impressions.

His meditative cinema treats memory as a tangible, spiritual force, using long takes and recurring motifs to examine how the past haunts consciousness and shapes identity.

His visually intoxicating films use nonlinear narratives, repeated scenes, and dreamlike cinematography to capture how nostalgia and desire distort memory into myth.