His films like 'Eternal Sunshine of the Spotless Mind' and 'Synecdoche, New York' construct nested realities where characters become reflections of each other's inner worlds.
Joe Lynch USAHe uses mirror imagery and doppelgängers throughout his work, most notably in 'Mulholland Drive' and 'The Double Life of Véronique,' to explore fractured identities and alternate selves.
Krzysztof Kieślowski PolandHis 'Three Colors' trilogy and 'The Double Life of Véronique' employ mirror narratives where characters' lives reflect and comment upon each other across time and circumstance.