modernism

His experimental narratives and innovative use of time, memory, and montage directly challenge classical storytelling conventions central to modernist cinema.

His films explore alienation, existential angst, and urban detachment through deliberately paced narratives and visual abstraction that epitomize modernist aesthetics.

His self-reflexive films deconstruct cinema itself through fragmented narratives, direct address, and meta-commentary, fundamentally redefining what modernist cinema could be.