music and crime

His films like *Se7en* and *Zodiac* masterfully use haunting scores and sound design to intensify the psychological darkness of crime narratives.

He weaponizes music as a narrative tool in crime films like *Pulp Fiction* and *Inglourious Basterds*, where songs become integral to violence and character development.

His crime dramas like *Gomorrah* and *The Hand of God* embed classical and contemporary music to explore the emotional complexity beneath organized crime.