obsession with babies

His films like 'The Brood' and 'Rabid' viscerally explore maternal obsession, bodily horror, and the grotesque nature of reproduction and parenthood.

His film 'Irréversible' and 'Climax' feature disturbing depictions of pregnancy, motherhood, and the destruction of maternal bonds with unflinching intensity.

Her work, particularly 'The Invitation' and 'Destroyer,' examines obsession, grief, and the psychological unraveling connected to loss and maternal themes.