party and celebration

His films like 'La Dolce Vita' and '8½' capture the intoxicating glamour, excess, and underlying emptiness of celebration and social spectacle.

His comedies such as 'Mon Oncle' and 'Playtime' dissect modern gatherings and celebrations through meticulous physical comedy and social observation.

His visually extravagant films like 'The Great Gatsby' and 'Moulin Rouge!' transform party scenes into dazzling cinematic celebrations that define the aesthetic of excess.