party games gone wrong

His work, particularly in *Homecoming*, explores psychological manipulation and social dynamics where games of power and control spiral into dangerous territory.

Films like *The Invitation* and *Destroyer* excel at depicting social gatherings and group dynamics that devolve into tension, paranoia, and violence.

His horror films, especially *Midsommar*, depict elaborate ritualistic games and communal activities that become nightmarish, exploring how group mentality corrupts recreation.