perspective and bias

His masterpiece 'Rashomon' deconstructs narrative reliability by presenting the same event through multiple contradictory perspectives, exposing how bias shapes truth.

Films like 'Prisoners' and 'Enemy' deliberately manipulate viewer perspective and bias through unreliable narration and fragmented storytelling to challenge moral judgment.

Her documentaries and narrative films consistently interrogate subjective vision and the gaps between observation and reality, questioning the camera's supposed objectivity.