His films like 'The Gospel According to St. Matthew' and 'Salò' use religious imagery as both spiritual inquiry and transgressive critique of institutional faith.
Carl Theodor Dreyer DenmarkHis masterpieces 'The Passion of Joan of Arc' and 'Vampyr' employ religious symbolism to explore faith, suffering, and the divine through haunting visual language.
Andrei Tarkovsky Soviet UnionHis contemplative films like 'Stalker' and 'Mirror' weave religious iconography and spiritual metaphor throughout meditative meditations on meaning and transcendence.