self-centeredness

His neurotic protagonists constantly examine their own desires, insecurities, and moral compromises, making self-absorption the central engine of his narratives.

He portrays characters trapped in cycles of narcissism and emotional manipulation, exploring how self-interest destroys relationships and perpetuates power imbalances.

His films depict individuals consumed by desires and vanity, particularly examining how self-centeredness reflects broader societal corruption and moral decay.