sexual misconduct

His films like 'Antichrist' and 'Nymphomaniac' explicitly explore sexuality, abuse, and power dynamics through provocative narratives that examine trauma and consent.

Her work, particularly 'High Life' and films addressing colonial power structures, subtly interrogates consent, bodily autonomy, and institutional abuse through psychological cinema.

Films like 'The Invitation' and 'Destroyer' explore violation, trauma, and institutional failure with nuance, examining how misconduct affects survivors' psychology and agency.