sound as danger

His meticulous sound design in films like 'Zodiac' and 'Gone Girl' uses audio as a psychological weapon that creates dread and reveals hidden threats.

In 'Hereditary' and 'Midsommar', he weaponizes sound design—from disturbing ambient noise to sudden silence—to manifest horror and psychological unraveling.

His films like 'Cure' and 'Before We Vanish' use unsettling sound and silence to blur reality and suggest invisible, auditory threats lurking beneath normal life.