split-screen narrative

Obsessively uses split-screen to create voyeuristic tension and simultaneous action, most notably in *Dressed to Kill* and *Sisters*.

Employs split-screen to explore moral duality and fragmented consciousness, particularly in *Bad Lieutenant* and *The Funeral*.

Pioneer of split-screen as a modernist tool to disrupt narrative linearity and force simultaneous interpretation in films like *Numéro Deux*.