surveillance and entrapment

His films like 'Blowup' and 'The Passenger' explore how observation and surveillance create psychological entrapment and paranoia in modern society.

He obsessively examines voyeurism and surveillance as both visual spectacle and moral entrapment, particularly in 'Blow Out' and 'Body Double'.

His works like 'The Sweet Hereafter' and 'Exotica' deeply investigate how surveillance technology and hidden observation become instruments of psychological and social entrapment.